The Girl in the Spider’s Web Review

The Girl in the Spider's Web Review

3 out of 4 stars (3 / 4)

Claire Foy’s vulnerably fierce performance and the film’s fast-paced action in a visually striking setting make for a worthwhile vehicle for the iconic Salander character, even if it doesn’t hold a candle to Fincher’s 2011 masterpiece.

The Girl in the Spider’s Web is (confusingly) the film adaptation of the fourth Millennium series novel as well a sequel to the 2011 U.S. version of the premiere novel, The Girl with the Dragon Tattoo. When the news first hit that Sony had decided to skip two of the books in the series and essentially wipe the board clean with a new director and a new cast, it was alarming for fans to say the least. Continue reading “The Girl in the Spider’s Web Review”

Should Hollywood Rely on the Power of the Reboot?

GWDT Reboot

3 Reasons Why Studios Should Reconsider Pressing the Reset Button for Waning Franchises.

On the surface, the recent success of Halloween(2018) appears to be another instance of Hollywood salvaging a once captivating franchise by rebooting and erasing everything save for the beloved premiere entry. The film’s resonance with audiences in the form of earning more revenue at the box office than any other sequel to the 1978 original (and at a cost-effective budget to boot) serves as evidence that rebooting past properties is one of the most potent storytelling tools in a movie studio’s arsenal. More and more film franchises are becoming reliant on this technique. Just this week we will see The Girl with the Dragon Tattoo series receive a “soft” reboot of sorts, as despite featuring the same characters from the American 2011 Fincher film, The Girl in the Spider’s Web will have all new actors and will skip the two sequels of the original story.

Continue reading “Should Hollywood Rely on the Power of the Reboot?”