Searching Review

Searching Review

3 out of 4 stars (3 / 4)

Engrossing cyber thriller that stretches the scope of its story as far as its style allows, at times to its detriment.

Searching is a straightforward tale of David Kim (John Cho), a single father who one day awakens to every parent’s worst nightmare when his 15-year old daughter Margot (Michelle La) doesn’t return home from her late-night study session at a friend’s house. What follows is a desperate father working with a local Detective (Debra Messing) to trace his daughter’s whereabouts via her computer. Searching is part of a long line of thrillers such as Unfriended and the Paranormal Activity series that seek to imitate real life by portraying the story’s events strictly through the electronic devices being used by the characters. By now this manner of storytelling is far from an innovative technique, however, Searching manages to have some unique tricks up its sleeve to set this thriller apart from the rest.

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Crazy Rich Asians Review

Crazy Rich Asians Review

3 out of 4 stars (3 / 4)

Manages to be both a story I’ve seen countless times before as well as a film unlike anything that’s come before it.

Over the past few years it has become increasingly popular for films to present a story that breaks the mold of societal and cultural norms. As seen by the recent event films Black Panther and Wonder Woman, an incredible phenomenon is occurring in which social change is essentially being commoditized for viewers. Moviegoers are not only being drawn to the novelty of a film from a different cultural point of view, but they are also being motivated to buy a ticket and become a part of history, doing what they can to support the paradigm shifts in Hollywood standards. Despite some controversy regarding the nationalities of the actors in the film, Crazy Rich Asians features an entirely Asian ensemble and continues the propulsion towards an increase in representation and diversity whilst being presented in an elegantly enthralling package.

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Why is August Still a Cinematic Wasteland?

Why is August Still a Cinematic Wasteland

Typically designated as a “dump month” by studios, the final weeks of August may actually be one of the most lucrative opportunities for box office returns.

The end of Summer…a traditionally difficult time for most people. As a kid, I, like most kids, always struggled with those final weeks of August. It wasn’t merely the hazy humidity, the back-to-school blues, or family vacations being behind me. No, it was the lack of anything remotely compelling being released at the movies. In my desperation for one last hurrah before Summer concluded and the inevitable transition into a new year of school, all I had at my disposal were middling comedies, third-rate horror flicks, and action adventure films no one had asked for. In other words, the leftover films the studio wanted to quietly release.

Although as a kid I had no idea why this was, years later I learned that as with January, the final weeks of August are designated as a “dump month” by studios, meaning it is targeted as the time to release films the studio has little confidence in as they believe there is less interest in going to the movies during this timeframe. The rationale from studios ranges from kids going back to school, a lack of disposable income after spending it during earlier months of Summer, weak legs at the box office going into Fall, and historically a dearth of proven success. It’s no secret that the Summer movie season has been steadily expanding its boundaries for the past few years. With the notable success of The Winter Soldier and Fast Five proving the viability of April as well as Guardians of the Galaxy and Suicide Squad tackling the start of August, the idea of seasonality in consumer interest for films is proving to be an archaic notion. Yet the final weeks of August stubbornly remain a dumping ground for lesser quality films.

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Christopher Robin Review

Christopher Robin Review

3 out of 4 stars (3 / 4)

Winnie the Pooh proves to be the life coach you forgot that you needed.

Winnie the Pooh has touched the hearts of children for over 90 years and has maintained a connection with readers that is unlike any other children’s story. It is undeniable that a part of this bond can be attributed to the wisdom to be gleaned from Pooh’s adventures, which have resonance well into adulthood. From comparisons to the great Greek philosophers to being used as a model for simplifying the Chinese philosophy of Taoism it has become clear that despite being “a bear of very little brain” Pooh has some deep insights into the meaning of life. Christopher Robin sets out to more directly explore how Pooh’s approach to life connects to the struggles of adulthood by depicting what would happen if a fully-grown Christopher Robin were to reunite with Pooh and his friends. Unlike many of Disney’s past live-action films, Christopher Robin is a tale that feels like it fully warrants being told and justifies the live-action treatment, as it is more than a mere re-telling of an animated classic as films such as Beauty and the Beast and Cinderella have been guilty of.

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Eighth Grade Review

Eighth Grade Review

3.5 out of 4 stars (3.5 / 4)

A harrowingly intimate and oftentimes comical portrayal of the way social media has complicated the already overwhelming transition from childhood to adulthood.

Eighth Grade marks the writing and directorial debut of multifaceted entertainer Bo Burnham, and on paper, a tender film such as this feels a bit unexpected. Burnham’s work, while always hilarious and witty, is consistently laced with profanity and touches on provocative, sensitive subjects in an almost arrogant manner. If one looks beyond this exaggerated stage persona though, Burnham’s songs have always contained cutting insights into the human condition and the hypocrisy present in the world. Songs like “Repeat Stuff” offer a biting criticism of the carefully constructed nature of mainstream pop songs but also demonstrate a degree of empathy for the unsuspecting adolescent victims of this manipulation. Bearing this in mind, it makes perfect sense that Burnham has masterfully crafted a sincerely honest portrait of the angst and dread that accompany growing up, whilst delivering this message through his own comedic lens.

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Mission: Impossible – Fallout Review

Mission Impossible Fallout Review

3.5 out of 4 stars (3.5 / 4)

Fallout has accomplished the impossible as the sixth installment of a franchise spanning 22 years. It is as fun as ever with no sign of running out of steam.

I recall seeing Mission: Impossible – Ghost Protocol back during December of 2011 in IMAX. I would characterize myself as a casual Mission Impossible fan at best, and attended this showing purely because there was a sneak peek of The Dark Knight Rises attached to it. Much to my surprise, despite being the fourth installment of a franchise spanning 15 years, the film was incredibly engaging and fresh. It was easily one of the most entertaining films of that year. 2015’s Rogue Nation more than maintained the same level of quality and even introduced some fantastic new characters. Ilsa Faust (Rebecca Ferguson) was particularly noteworthy, as she provided the franchise with a strong female presence, which was a far cry from the premiere film’s tendency to have every female character possess no discernable trait apart from wanting to be romantically entangled with Ethan Hunt (Tom Cruise).

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