Ant-Man and the Wasp Review

Ant Man and the Wasp Review

3 out of 4 stars (3 / 4)

Featuring winning performances from its titular characters and inventive visual gags, Ant-Man and the Wasp is a buzzy feel-good Summer popcorn movie, even if the story’s familiarity serves as a prime example of Marvel’s worst tendencies when it comes to sequels.

In a release strategy reminiscent of 2015’s Ant-Man, we once again find a small-stakes adventure featuring the well-meaning but morally grey Scott Lang following arguably the most ambitious and grand story yet with Infinity War. Although never critical or financial failures, Marvel has had a mixed track record in terms of ingenuity when it comes to their sequels. On one hand we have films like Thor: Ragnarok and Captain America: The Winter Solider which took risks in order to produce superior films to their prior films. On the other hand, however, some sequel efforts such as Avengers: Age of Ultron and Thor: The Dark World are almost carbon copies of their predecessors and despite being enjoyable, they end up coming off as shallow and lazy. Unfortunately, Ant-Man and the Wasp is more Thor: The Dark World than Thor: Ragnarok as it is essentially a retread of the first film’s plot points, leading to a somewhat disappointing chapter for a largely phenomenal Phase 3 of Marvel films. Yet, the film has a lot going for it, and despite being disappointing by Marvel’s standard, Ant-Man and the Wasp is still one of the more enjoyable Summer blockbusters around.

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Are Marvel Films Making Us Smarter?

Are Marvel Films Making Us Smarter?

It has become fun to bash the Marvel films.

There is no denying that despite increasing box office receipts and new records being broken with seemingly each new entry, the franchise has encountered mounting snobbery and cynicism from various critics and media outlets, as seems to be the nature with anything that is massively popular. A common criticism of the films is that they are overly reliant on prior stories with a particularly negative assessment from the New Yorker denigrating Infinity War as nothing more than a two-and-a-half-hour ad for the films that preceded it and those that will follow.

Others, such as a piece from Film School Rejects, have criticized the franchise’s adverse impact on storytelling, stating that the films’ proclivity for constantly teasing future installments with post-credit scenes reduces the impact the current stories are having. The mass genocide depicted during the conclusion of Infinity War was especially criticized as feeling inconsequential due to so many of the “deceased” characters having sequels already teased from their own respective film’s post-credit scenes. Additionally, the article criticizes how difficult it is for new fans to jump in thanks to the story being crafted in a way that requires seeing every prior film to completely understand the events depicted and fully reap the emotional payoffs.

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Is it Fair to Review TV Shows on a Weekly Episodic Basis?

Are TV Shows Worth Reviewing on an Episodic Weekly Basis?
Westworld’s polarizing finale for a mostly praised Season 2 brings up the question of whether episodes should be reviewed without first seeing the entire season.

With many still attempting to unpack the multitude of events and different timelines that transpired during Westworld’s recent season 2 finale, it is clear that despite having fans talking, the episode has proven to be polarizing to say the least. Reviews run the gamut from many stating that the ending was overly convoluted with others praising this complexity and unwillingness from the creators to dumb the material down for fans. It’s interesting to note that many fans who provided the finale with a mixed to negative review were in fact raving about the majority of episodes that preceded the final episode. This disparity raises the question, is a television season that is comprised of well-received episodes, but a lackluster finale a success or a failure? Should the preceding episode scores be retroactively impacted, and should television seasons be reviewed and given a score evaluation on an episodic weekly basis?

***Spoilers for The Handmaid’s Tale and Game of Thrones follow in this article:

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