Ant-Man and the Wasp Review

Ant Man and the Wasp Review

3 out of 4 stars (3 / 4)

Featuring winning performances from its titular characters and inventive visual gags, Ant-Man and the Wasp is a buzzy feel-good Summer popcorn movie, even if the story’s familiarity serves as a prime example of Marvel’s worst tendencies when it comes to sequels.

In a release strategy reminiscent of 2015’s Ant-Man, we once again find a small-stakes adventure featuring the well-meaning but morally grey Scott Lang following arguably the most ambitious and grand story yet with Infinity War. Although never critical or financial failures, Marvel has had a mixed track record in terms of ingenuity when it comes to their sequels. On one hand we have films like Thor: Ragnarok and Captain America: The Winter Solider which took risks in order to produce superior films to their prior films. On the other hand, however, some sequel efforts such as Avengers: Age of Ultron and Thor: The Dark World are almost carbon copies of their predecessors and despite being enjoyable, they end up coming off as shallow and lazy. Unfortunately, Ant-Man and the Wasp is more Thor: The Dark World than Thor: Ragnarok as it is essentially a retread of the first film’s plot points, leading to a somewhat disappointing chapter for a largely phenomenal Phase 3 of Marvel films. Yet, the film has a lot going for it, and despite being disappointing by Marvel’s standard, Ant-Man and the Wasp is still one of the more enjoyable Summer blockbusters around.

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Lack of Diversity is Impacting Film Reviews, Only Not in the Way You Might Think

Lack of Diversity in Film Criticism is Impacting Reviews Only Not in the Way You Might Think

Coming off the heels of an overall push for diversity within Hollywood, arguably the impetus being the #OscarsSoWhite reaction in 2015, there has been a call to action from several within the industry that this same sense of inclusion be extended to film criticism. Most recently, acclaimed actress Brie Larson (Room and the upcoming Captain Marvel), upon receiving her Crystal + Lucy Award, echoed a similar sentiment when she stated “I don’t need a 40-year-old white dude to tell me what didn’t work for him about [A] Wrinkle in Time. It wasn’t made for him.” Additionally, as reported by The Guardian, a recent report from the USC Annenberg School of Communication and Journalism uncovered that of all the reviews on Rotten Tomatoes for the 100 top-grossing films in 2017, 77.8% were written by men and 22% by women, with 82% of reviewers being white and only 18% from “under-represented racial groups.”

Larson’s statement coupled with this recent report raises the question of whether films focused on diverse ages, genders, and nationalities, such as A Wrinkle in Time, are being inadequately assessed, and if the bulk of critics being white males could lead to a prejudice, whereby film evaluations are reflecting a bias against diversity. While the push for different perspectives in film criticism is the natural and long overdue next step to better reflect the opinions of society as a whole, psychological research on stereotyping and prejudice indicates that such a measure for inclusion may not have the effect many are anticipating.

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