‘If Beale Street Could Talk’ Review

If Beale Street Could Talk Film Review

3.5 out of 4 stars (3.5 / 4)

Barry Jenkins has followed up his 2016 masterpiece ‘Moonlight’ with the same artful poetry. Through its accomplished blend of moving musical score, striking cinematography, and impeccable ensemble acting, ‘If Beale Street Could Talk’ captures all the sincerity of falling in love. It is impossible not to get swept away by this bittersweet poem about the power of optimism and community in an impossibly unjust environment.

Director Barry Jenkins returns to the big screen with his first film since his 2016 best-picture winning masterpiece Moonlight. While that coming of age drama revolving around the lifelong quest for identity was so powerful in part due to its exploration of sexuality in the context of the urban working class, its biggest strength was in the deeply personal poetic nature by which the film was told. In his follow up, Jenkins has adapted the 1970s novel If Beale Street Could Talk from influential social critic and novelist James Baldwin. It comes as no surprise to learn that the screenplay was written during the same time that Moonlight was written as Jenkins has created another mesmerizingly emotional tale of romance and sincerity.

Continue reading “‘If Beale Street Could Talk’ Review”

Widows (2018) Review

Widows Review

3.5 out of 4 stars (3.5 / 4)

A twisted labyrinth of a heist thriller that will hijack your notions of the genre and throttle you with surprise after surprise.

After directing 2014’s Academy Award Best Picture winner, 12 Years a Slave, acclaimed director Steve McQueen could have followed up with virtually any type of film he so desired. Despite focusing on quiet, historical dramas in the past, McQueen has taken a surprising left turn with his decision to adapt an acclaimed but somewhat obscure 1980s British TV show about a group of widows who inherit their criminal husbands’ problems. At a glance, a more adult version of Ocean’s 8 appears to be an odd choice. Perhaps this is why the director presents a short intro video before the film where he reveals that Widows has been a passion project of his for some time and he is overjoyed to finally present it to the world. Ultimately, this passion is evident in the finely crafted end product, as it becomes evident that the surprising choice of a project is the perfect precursor for a consistently unpredictable ride, as McQueen has created a heist film unlike any other.

Continue reading “Widows (2018) Review”